BELLAV434
Release Date: 28 January 2014
Signed by Simon Raymonde
Born from love, musical empathy, a baby grand piano discovered on Gumtree and an expired visa, Snowbird duo Stephanie Dosen and Simon Raymonde have crafted an album of exquisite melody and mood that radiates the uncanny mystery of the object it’s named after: moon.
moon album features a stellar castlist of guests lending their talents to proceedings: Radiohead drummer Philip Selway and guitarist Ed O’Brien, Midlake guitarist Eric Pulido and drummer McKenzie Smith and two more gifted guitarists in Paul Gregory (Lanterns On The Lake) and Jonathan Wilson all contribute.
“Having them add their magic to the record was a thrill, but really, I think this is very much Stephanie’s record,” Raymonde points out. “She’s a really special singer and I feel the simplicity of my music was the perfect backdrop for her stories and her incredible vocal arrangements.”
The pair’s first connection was Raymonde’s discovery of Dosen’s music and subsequently producing her debut album and releasing it on Bella Union. ‘Stephanie was the first singer I had worked with since Elizabeth [Fraser of Cocteau Twins] that I had a real musical empathy with,” he admits. “She could do anything. No one had ever sung with Midlake on record before Stephanie, while Massive Attack asked her to be their lead singer on tour – ironic really given that Elizabeth had too! She also sang with the Chemical Brothers. But we’d never written music together at home.”
Raymonde no longer had instruments or microphones in his flat until he saw an offer of a baby grand piano that was free apart from transportation costs. Once it was installed, he slowly began to play again. “I never intended Cocteau Twins to be my last band,” he says, “but frankly I wasn’t just going to jump back on any old nag just for the sake of it.”
It was fortuitous that he had the baby grand for company when Dosen had to return to the US to reapply for a visa. Once there, she started receiving emails, “short piano pieces, every night for 12 days,” Raymonde recalls. “And each morning, I’d wake up to an email of my piano piece with these amazing vocals that she’d recorded in North Carolina. After two weeks, we had the basis for what now makes up moon.”
“I wrote every piece of music at night, in semi-darkness so that the space didn’t feel like my living room,” says Raymonde. “The moon was very important for the light it reflected.”
“All the stories on the record are night-time stories, forest-y and moonlit,” Dosen adds. “The moon only shines because it is being seen by the sun – I like the idea of that sort of illumination of an object or a person. It’s almost like being seen makes us shine.”