Release Date: 29 May 2020
A near death experience being sucked into an active sandstorm during a US road trip is enough to make you think about life. Being immersed in a swirling vortex of sand, dust, tumbleweed and detritus whilst trying to keep control of a speeding car might have only been a brief flash moment in Steven Dove’s life but it was enough for the Psychic Markers man to question life. “These things impact you,” he says. “I got thinking about human nature, our proneness to mistakes, imperfection and the implications of reactionary decision making.”
“Cohesive yet diverse,” is what the band have said of their music and it fits their personalities too, with members coming from as far afield as Australia and Yorkshire. Dufficy and Dove wrote and produced the record together, the sultry yet subtle bass comes from Luke Jarvis, who also did the band’s artwork, whilst the glowing backing vocals of Alannah Ashworth feature alongside the shared percussion duties of Lewis Baker and Jim Wallis.
Playing with structure and form, and the overlapping role between lyrics and music, is rooted in the album. “I was tired of writing within the constraints of a verse/chorus structure and wanted to be expressive in alternative ways,” says Dove. “It’s like walking the same route to get from a to b – eventually it becomes mundane and for this record I wanted to try walking a different way.”
Dufficy also found himself going down a rabbit hole of old gear for the album, exploring four tracks, micro cassettes and drum machines. “I wanted to see how it would impact our writing and recording process,” he says. “By taking away the endless options you have in the digital world.” The result is one that adds to the already deeply textural world of the band – an approach that has previously reared its head via doo-wop-esque harmony vocals, thoughtfully layered immersive guitars or enveloping atmospheres – as well as adding a further sense of diving into the unknown.
The dodgy motors of the four-track led to drums and keys being all over the place on the track ‘Enveloping Cycles’, creating its own woozy, distinct rhythm of gently fizzing beats. That is before the machine gave up completely. “The four-track died right at the end of making the album, so its quirks will only ever exist on this album,” Dufficy says. “I like that, it’s kind of romantic to me.”