Release Date: 4 May 2015
Heyoon is astounding, both sonically and thematically. If you want to take the highbrow road through this dense maelstrom of psychedelic math-fuzz beauty, then focus on the lustrous, unsettling lounge drone of Fire. A reflection of a Lydia Davis story called Forbidden Subjects, the track documents a post-break up friendship. “Conversations are so barbed and loaded, it’s the fire of conflict but also the memory of the fire of chemistry.”
There’s a rich seam of break-up philosophy running through Heyoon. The Lynchian torch-gaze of Red Kite concerns “still feeling deeply affected by a past relationship, but putting that neatly, and tenderly in a box so that you can move on.”
The untamed, carnival-whirling pop of Ader recalls tragic visual artist Bas Jan Ader, whose work still remains unexplained following his death in a little sailboat, alone on the Atlantic. “People have speculated over what he’s sad about,” adds Luisa. “That it could be the absolute loneliness of all humans and that you can never completely know another person.”
Wallow in the bass-fuelled end of Heyoon and you’ll embrace the stampeding thunk-punk of opener Stay, a booty-call set to music that shape-shifts into a post-orgasmic bliss dream in its second half. Then there’s the sultry Gallic trembles of Francois, a courage song exploring gender with luring verses coaxing someone to go out, go to a party and be themselves.
Brooding, beautiful, haunted and occasionally barbarous, Heyoon is a record about secret, hidden things, right down to it’s title, a mispronunciation of a secret pavilion hidden in the woods of south-east Michigan, near Ann Arbor.
“These two guys built this weird structure, kind of a pavilion, on one of their properties, hidden in a clearing in the woods. The story goes that teenagers stumbled across it and it became a place people would escape to. Young teens looking for somewhere to hang out, somewhere just to smoke and drink and do all that stuff, a temple of firsts. You can only find it if somebody takes you there who already knows it. It’s a beautiful story, although we’re probably doing something blasphemous, because it’s a secret, calling our album that.”
Landshapes: climb inside and explore.