Release Date: 15 January 2021
PVC wallet with wraparound picture/track listing insert
Signed by the band
Singer Ragnhild Fangel explains of the leap from Birthday to Cheater, “I think it’s very accurate to say that we wanted to embrace our extremes a bit more. In the production process I think we aimed more for some sort of contrast between the meticulously written and arranged songs and a more chaotic execution and recording, but also let ourselves explore the less frantic parts of the Pom Poko universe. I think both in the more extreme and painful way, and in the sweet and lovely way, this album is kind of amplified.”
Both sonically and thematically, that sense of amplification asserts itself right off the bat with the tearaway title-track. Bursting into life on the back of a blast of fractious guitar noise, a thrashing riff and a sweetly sardonic vocal, “Cheater” laces its serotonin rush with tangy lyrics about dreams and, says Ragnhild, the kind of “cheating kid who doesn’t understand why they didn’t get things exactly like they wanted on their first try”: thematic motifs that reverberate throughout the album.
From here, Pom Poko court their extremes with firecracker confidence. Its lilting melody laced with a critique of gender stereotypes and set to a Breeders-style lurch, “Like A Lady” is sharp and catchy. First single “Andrew” upholds a facility for simplicity in one of Pom Poko’s loveliest choruses, though a band such as this will never settle for the obvious: Martin Miguel Tonne’s jazzy guitars seem to do everything except what you expect them to.
Further evidence arrives in the contrast between the thrilling, think-on-its-feet thrash-pop of “My Candidacy” – made in less than three hours – and the mellifluous “Danger Baby”, a tale of irrational fears with Ragnhild’s vocal and Martin’s guitar merged in unexpected union. That love for surprise synchronicities, slanted sounds and unexpected subject matter propels “Andy Go to School”, where a tempo-tweaked guitar line accompanies a lyric extolling the pleasures of water parks and a free-flowing sonic palette. “Towards the end one of the guitar pedals made a huge BZZZ sound in a pause, but we thought it was cool and raw so we just rolled with it,” says Ragnhild. “We like to mix the feeling of a surgically produced piece of music with the random sounds that also happen when you are a band playing together.”
Written in the same run that produced interim releases “Leg Day” (with its playful dance-based video) and “Praise”, and recorded/produced in cooperation with Marcus Forsgren (Jaga Jazzist, Broen, Arc Iris), Cheater does its predecessor proud on every front. Bursting with colour and wonky life from its cover art (by close collaborator Erlend Peder Kvam) outwards, it differs from Birthday primarily in that its songs did not have a chance to be road-tested before going into the studio. But you wouldn’t know it. As Ragnhild explains, “That meant we had to practice the songs in a more serious way, but it also meant the songs had more potential to change when we recorded them since we didn’t have such a clear image of what each song should/could be as the last time.”