{"title":"EVERYTHING FOR SALE","description":"","products":[{"product_id":"bella553cd","title":"Horse Thief - Trials and Truths CD","description":"\u003cp\u003eBELLA553CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 27 January 2017\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTrials And Truths follows “Fear In Bliss”, the band’s highly acclaimed Bella Union album debut. Clash Music noted its “punchy riffs and sunshine melodies, lovely harmonies and production,” while The Line Of Best Fit said, “twinkling guitars and keys sashay around Neal’s tender voice, creating a warm, melodic bath of sound. It’s a thing of beauty.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e For Trials And Truths, Horse Thief reunited with producer Thom Monahan (Devendra Banhart, Vetiver). Frontman Cameron Neal notes, “We had more time to dwell on these songs, as the first record was written and recorded really quickly. We’d toured Fear In Bliss for eighteen months, which really helped us get to know each other’s styles, and where to take the new songs. It means this album is closer to the sound that we want.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e Influenced by their life on the road, love, relationships and home, Neal adds: “The title Trials And Truths is about us: we’re still a young band, figuring out how to make things work and to have a purpose, so we can get through any hard times. But the band is very much together—it feels like a brotherhood, we’re all in it for the same reason.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHorse Thief was originally founded in Denton, TX by Neal. He joined forces with Cody Fowler (bass), Alberto Roubert (drums, percussion), Zach Zeller (organ, keys, guitar) and Alex Coleman (guitar, keys) while studying at Oklahoma’s Academy of Contemporary Music. 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His hatred for his ex, and for himself, is crooned with authority over luscious post-comedown electro.\" - \u003cem\u003ePitchfork\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In fact, he's inadvertently inspired a genuinely remarkable album: self-obsessed but completely compelling, profoundly discomforting but beautiful, lost in its own fathomless personal misery, but warm, funny and wise. It shouldn't work, but it does.\" - \u003cem\u003eGuardian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"John Grant's songs can be characterised by extreme restlessness and the state of suffering mental and physical discomfort within one's being. The irony and often confronting honesty he brings to these problems ensure Pale Green Ghosts is extremely engaging and often engrossing. But Queen of Denmark it is not, which will hopefully not put off the Fleet Foxes and Jeff Buckley fans who were so thrilled with that first collection. His second is branching out into the more experimental, atmospheric and even psychedelic – it's a more challenging task but one that perhaps ultimately yields richer rewards.\" - \u003cem\u003eThe Quietus\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/Ux1fglC0aT0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219327549597,"sku":"602537261772","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/0c60a683d4f1bc7266a7f83e93d719091b01a808.jpg?v=1595336962"},{"product_id":"bellacd138x","title":"The Kissaway Trail - The Kissaway Trail CD","description":"\u003cp\u003eBELLACD138X\u003c\/p\u003e\n\u003cp\u003eRelease Date: 22 January 2007\u003c\/p\u003e\n\u003cp\u003eThe Kissaway Trail are Thomas L. Fagerlund (vox, guitar), Søren B. Corneliussen (vox, guitar), Daniel Skjoldmose (guitar, keys, backing vocals), Rune Pedersen (bass, backing vocals) and Hasse Mydtskov (drums, backing vocals).\u003c\/p\u003e\n\u003cp\u003eEuphoric and evocative, listening to The Kissaway Trail is an intoxicating experience. The debut album released in 2007 was filled with songs of immense ambition and scope, the music soars, filled with majestic guitar lines, dramatic melodies and epic arrangements. The Kissaway Trail have that rare power to lift people out of their lives and transport them to a world of drama, beauty and wonder.\u003c\/p\u003e\n\u003cp\u003eThe Kissaway Trail list the likes of Sonic Youth, Grandaddy, Daniel Johnston, Pixies and The Beach Boys as being their main influences, though in their native Denmark, where they have recently taken off massively due to their incendiary live shows, the band have quickly developed a unique sound of their own.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/3iAgKHuI0jM\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219333120157,"sku":"5033197454887","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/861ccc42f6b5079dafc6c030933a7e0e71f385e7.jpg?v=1595336978"},{"product_id":"bella568v","title":"Lowly - Heba LP","description":"\u003cp\u003eBELLA568V\u003c\/p\u003e\n\u003cp\u003eRelease Date: 10 February 2017\u003c\/p\u003e\n\u003cp\u003eThis is the debut album from Danish quintet Lowly, who describe their music as, “noise-pop, and everything in between.” In this case, ‘noise’ refers to the textures and treatments that the quintet mould from synths, laptop and guitar, which give Lowly’s spacious songs unpredictable, shape-shifting qualities, iced by Nanna Schannong and Soffie Viemose’s radiant voices – all brilliantly layered by the band and co-producer Anders Boll, Efterklang’s long-trusted engineer\/sound man.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLowly first met at the musical academy in Aarhus, Denmark, with Staub alongside Schannong (lead vocals, guitar), Soffie Viemose (lead vocals, laptop), Thomas Lund (bass, Moog) and Steffen Lundtoft (drums, percussion). Despite all five studying different subjects, and having their own bands on the go, “and having very different tastes” (the only band they can agree on is Radiohead), they quickly found an enviable chemistry. “Though we were not trying hard, Lowly slowly took over,” Staub recalls. “It was just fun and felt so easy, and inspiring.” \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/PkfoGJk9E2A\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219334430877,"sku":"5414939950728","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/19332117bfcc8b0216b4cf7fffbb7c9448ff9b4b.jpg?v=1595336991"},{"product_id":"bella632v","title":"Jambinai - Differance LP","description":"\u003cp\u003eBELLA632V\u003c\/p\u003e\n\u003cp\u003eRelease Date (Re-issue): 24 February 2017\u003c\/p\u003e\n\u003cp\u003eRelease Date (First Release): 2 January 2012\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFollowing much acclaim for their sophomore album a Hermitage, which was released in June 2016 via Bella Union, South Korean trio JAMBINAI are also pleased to share the re-issue of their debut album Differance on 12\" vinyl. 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The Providence, Rhode Island-based band quickly won over audiences in the US and Europe, supporting artists such as St. Vincent, Jeff Tweedy, and Clap Your Hands Say Yeah. The group performed at the London Palladium and festivals including Bonnaroo, End of the Road and the Rolling Stone Weekender.\u003c\/p\u003e\n\u003cp\u003eReleased on Bella Union in Europe and ANTI Records in the US and, the band’s self-titled debut album drew admiration for its innovative style and distinctive sound. “It’s hypnotic,” said the Boston Globe. The New York Times wrote of “songs that seesawed between the elfin delicacy of Joanna Newsom and some brassy raucousness.” The Guardian talked of “a shape-shifting treat” while new music site The Line of Best Fit proclaimed, “Arc Iris is traditional music thrillingly positioned at the nexus of the old and new.”\u003c\/p\u003e\n\u003cp\u003eLead singer and lyricist Jocie Adams, Tenorio-Miller, and drummer Ray Belli form the core of Arc Iris, all virtuosic musicians in their own right. Adams spent eight years as a key member of indie darlings The Low Anthem, effortlessly zipping from hammer dulcimer to clarinet to bass to vocals, sometimes barely pausing to take a breath. Her 2011 solo debut, Bed of Notions, sparked a musical beginning that became Arc Iris. Joining Adams on Bed of Notions was cellist Robin Ryczek, a conservatory-trained musician who toured with Jethro Tull and founded a rock school in Afghanistan.\u003c\/p\u003e\n\u003cp\u003eTo help launch Arc Iris in 2012, Adams teamed with Ryczek and the musically agile Tenorio-Miller, an established indie-rock keyboardist for well-known talents from Gene Ween to the New Pornographers’ A.C Newman. Later that year Tenorio-Miller brought in his longtime friend Belli. The two toured with Jon Anderson of Yes when they were just 16.\u003c\/p\u003e\n\u003cp\u003eArc Iris have attracted numerous fans around the world as the group’s stage performances become storied events themselves. Space domes reveal giant golden wings in flight while montages light up the backdrop with evocative images. Above all, the group’s love of music is a shared passion that comes alive with each song. 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It’s refreshing to hear an LP that has been as considered and well-crafted in an age of dwindling attention spans.\" \u003cem\u003eLouder Than War\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \"With Deportation Blues, Brian Christinzio has created his own Big Star 3rd, less druggy but just as much a musical voyage through one man's psyche that travels through darkness while searching for some gleam of healing light. Let's hope he finds it before he makes his next album\" - Mark Deming, \u003cem\u003eAllmusic\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci style=\"box-sizing: border-box; line-height: inherit; color: #222222; font-family: Lora, serif; font-size: 16px;\"\u003e\"Deportation Blues\u003c\/i\u003e\u003cspan style=\"color: #222222; font-family: Lora, serif; font-size: 16px;\"\u003e is an exhilarating, dynamic document of calamity and stress, relayed through richly melodic and bold arrangements spanning singer-songwriter classicism, gnarly synth-pop, ‘50s rock’n’roll and various junctures between, mirroring their maverick creator’s jarred emotions and fractured mindset.\"\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #222222; font-family: Lora, serif; font-size: 16px;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/QY7MIqZ6Bvo\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219366477981,"sku":"5414939856129","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/c7e3ccdebd91d1fe03bb7b9c946689bb545965eb_6eddb75b-0f9d-46fc-bcbe-4a4c56ec06e4.jpg?v=1595337120"},{"product_id":"bellav334","title":"Beach House - Bloom LP","description":"\u003cp\u003eBELLA334V\u003c\/p\u003e\n\u003cp\u003eRelease Date: 15 May 2012\u003c\/p\u003e\n\u003cp style=\"margin: 0px; color: #333333; font-size: 14px; line-height: 18px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003e\"The band are increasingly clever at turning a melody inside out to evoke those moments of dizzy-making clarity.\" - NME\u003c\/p\u003e\n\u003cp style=\"margin: 0px; color: #333333; font-size: 14px; line-height: 18px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0px; color: #333333; font-size: 14px; line-height: 18px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003e\"There is, though, a lot of intricate paddling to their swan-glide. Perhaps the best bits of Bloom aren't the hooky melodies, or Legrand's recasting of Nico as a sweeter pill, but the structures that underpin the feeling of coasting on a thermal. On their best songs a great deal goes on to achieve the impression of horizontality.\" - The Guardian\u003c\/p\u003e\n\u003cp style=\"margin: 0px; color: #333333; font-size: 14px; line-height: 18px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003e \u003c\/p\u003e\n\u003cp style=\"margin: 0px; color: #333333; font-size: 14px; line-height: 18px; padding: 0px; font-family: Arial, Helvetica, sans-serif;\"\u003e\"Filmmakers call the part of the day right before the sun goes down \"the magic hour.\" It's that brief moment when the waning daylight causes everything to take on a holy, hazy glow. 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Because they come from such a well-defined tradition-- the boy-girl duo making lovesick, narcotized rock with lots of depth and sweep-- it's pretty much impossible to listen to this, their debut, without making certain connections. Bands like Mazzy Star, Galaxie 500, Spiritualized, and Slowdive will come to mind, but this is neither pastiche nor homage. While a lot of their sounds and shapes are the same, Beach House's recipe of fairground waltzes, ghosted lullabies, and woodland hymnals feels more intimate than those of their forerunners. The Hope Sandovals and Jason Pierces of the world mostly wanted to make their songs bigger than their heartaches, to rub out messiness with beauty; Beach House play their songs for a much smaller room, and aren't afraid to stare down a mistake if it comes bounding back in echoes.\u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003ePitchfork\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/2lGoUGgJEnk\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219398852765,"sku":"5033197476322","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/e0771efb8886cbdf4210507297890960b146edac_15da82c5-f585-4ca0-8322-098d718c1574.jpg?v=1595337232"},{"product_id":"bella512v","title":"Beach House - Thank Your Lucky Stars LP","description":"\u003cp\u003eBELLA512V\u003c\/p\u003e\n\u003cp\u003eRelease Date: 16 October 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBeach House have always been more about mood and feeling than sharp melodies, a fusion of Mazzy Star and My Bloody Valentine slow-diving under a valium haze. Thank Your Lucky Stars is certainly well in tune with the rest of their catalog. That said, it’s more haunted and spectral, as if Depression Cherry is afternoon fading into dusk and Thank Your Lucky Stars is much later the same weary night. The songs on Depression Cherry are more mannered and precise, not quite as raw. But any stylistic differences are ephemeral which, of course, is not at all a bad thing. Beach House once again has us drifting slowly in musical space. Reverbed guitars, lushly layered keyboards, Victoria Legrand’s voice rising from the murk like a wounded spirit… Thank Your Lucky Stars is hypnotic head trip music of the highest caliber.\u003c\/p\u003e\n\u003cp\u003eThank Your Lucky Stars isn’t a companion to Depression Cherry; it’s the moody younger sibling who lives in the basement writing poetry. Still, they operate in the same sonic territory, and are nearly the same length. 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It’s an attitude, a call to arms, an instruction to confront the world in your own way, to realise your ambitions, and to have the time of your life while doing so. 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Antwerp, a city hitherto mostly unfettered by complimentary themes, is carried along by a moody cello line.\" - \u003cem\u003eThumped\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"she paints a series of vignettes, each named for the place in which it was conceived: Berlin, Paris, Glastonbury. Often the piece consists of a motif, varied and modulated. Variation from track to track is subtle though, with many tending to fade into the background. Still, close listening reveals some nice surprises: there is an ominous thrum beneath the surface of Dallas, and Verona's five-note piano motif tugs then tears at the heartstrings.\u003cem\u003e\" - The Music\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/TeZvchOOHb8\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219749339293,"sku":"5414939938719","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/dc13ba3760e70884d0ca6b8a5b779729d41f4f75.jpg?v=1595337874"},{"product_id":"bella450cd","title":"The Flaming Lips - 7 Skies H3 CD","description":"\u003cp\u003eBELLA450CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 23 June 2014\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCD release of the 50 minute condensed version of the Flaming Lips' 24-hour long track '7 Skies H3'. The condensed version was produced by the band for Record Store Day 2014.\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219756056733,"sku":"5051083081108","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/5466c46f23dd27fd8387d70a66c16bf1198d061b.jpg?v=1595337892"},{"product_id":"bellacd351","title":"The Flaming Lips - The Flaming Lips and Heady Fwends CD","description":"\u003cp\u003eBELLACD351\u003c\/p\u003e\n\u003cp\u003eRelease Date: 21 April 2012\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIn between one-off shows scattered around the world over the past several months The Flaming Lips still found time to record a series of unique and experimental sessions for an album featuring a diverse cross-section of heavy friends from every corner of the musical cosmos.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Flaming Lips and Heady Fwends just may be the Lips’ most adventurous recorded experience to date. The album sees the Lips embracing vocal and musical assistance from such disparate playmates as Yoko Ono, Nick Cave, Erykah Badu, Bon Iver, Ke$ha and many more.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/yJR3RBwwHlg\" height=\"314\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219765428381,"sku":"602537086351","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/92d2c4382e8918f7bfa9465435956a2338720025.jpg?v=1595337908"},{"product_id":"bella457cd","title":"The Flaming Lips - With a Little Help from My Fwends CD","description":"\u003cp\u003e\u003cstrong\u003eBELLA457CD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRelease Date: 27 October 2014\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThough it may seem like a quaint, family-friendly entry into their iconic discography, the Beatles made major waves with the release of their eighth album, Sgt. 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Pepper's for the first time in 1967, re-creating that feeling that absolutely anything could happen at any moment. Like some of their past collaborations, the album shows that not all fwends are created equal, so even though cuts like \"Getting Better\" can be pretty uneven, guests like Miley Cyrus and Tegan and Sara on \"Lucy in the Sky with Diamonds\" and \"Lovely Rita,\" respectively, provide the band's sound with a new dimension and attitude, providing With a Little Help from My Fwends with the kind of eclectic atmosphere that made the original so charming. Although die-hard Beatles fans might see the album as a bit blasphemous, the Flaming Lips' treatment of the classic work makes it clear the band have a great respect for the Fab Four's legacy and influence, making the album a wonderful distraction that provides fans with a window into the influences of one of rock's most enduring and joyously weird bands.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e- \u003c\/em\u003e\u003cspan\u003e\u003cem\u003eGregory Heaney, AllMusic\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219780599965,"sku":"5051083081962","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/9ede7c75150865d373874953b2ff4c80c6953635_5799f2f4-e310-4020-b0c6-e7898a7ea79e.jpg?v=1595337945"},{"product_id":"bellacd283","title":"Fleet Foxes - Helplessness Blues CD","description":"\u003cp\u003eBELLACD283\u003c\/p\u003e\n\u003cp\u003eRelease Date: 3 May 2011\u003c\/p\u003e\n\u003cp\u003e\"Helplessness Blues' analytical and inquisitive nature never tips into self-indulgence. 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He confronts uncertainty while feeling out his own place in the world, which is something a lot of us can relate to.\" -\u003cem\u003e Pitchfork\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"The area in which rock music meets poetry is seldom a happy place, so it's with a mild sense of panic, five minutes into Helplessness Blues, that the listener realises they're in the presence of a song loosely based on the work of WB Yeats.\" -\u003cem\u003e The Guardian\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/9yAxIdkF2Qo\"\u003e\u003c\/iframe\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219804029085,"sku":"602527481876","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/e13166f7b2ea1d23d8a501de021679ab25b91a47_1ae379bb-dcc0-4090-8313-48a247198f3f.jpg?v=1595337967"},{"product_id":"bellacd165","title":"Fleet Foxes - Sun Giant EP CD","description":"\u003cp\u003eBELLACD165\u003c\/p\u003e\n\u003cp\u003eRelease Date: 8 April 2008\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The first official release from Seattle-based Fleet Foxes may be largely influenced by vintage folk and rock LPs, but this pastoral psych-pop band does something special with these elements. Fusing classic rock, church music, old-timey folk, and epic, reverb-drenched harmonies, the group's brilliantly rustic songs never go quite where you expect them to, instead taking more scenic routes to arrive at perfect, natural conclusions.\" - \u003cem\u003eStephen M. Deusner, Pitchfork (2008)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Harnessing gorgeous harmonies to folk-rock arrangements with the sort of enigmatic melodies favoured by The Shins, they're courageous enough to open with an a cappella title-track, capped with a delicate mandolin coda that doesn't disturb the song's fragile meniscus. Elsewhere, there are elegant Pentanglish folkisms, awed apprehensions of wonder at real life, and echoes of West Coast baroque-pop harmonists like The Association and America; but at their best, as on \"Innocent Son\", there's a tainted piety to Fleet Foxes' music that seems to straddle the secular and the sacred rather like a white, folkie equivalent of soul music. A mouth-watering taster for a full-length album later this year.\" - The Independent \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/DT-dxG4WWf4\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219814482077,"sku":"5033197510125","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/814e7ccaa28e4625f4adacac02f8dd102aabffa6.jpg?v=1595337992"},{"product_id":"bellacd325","title":"Hannah Cohen - Child Bride CD","description":"\u003cp\u003eBELLACD325\u003c\/p\u003e\n\u003cp\u003eRelease Date: 16 April 2012\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Child Bride’s highlight is its centre point, a tent pole titled ‘Boy + Angel’ that holds up the entire affair. 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The minor tones, haunting piano, affecting harmonies and overall movement show Cohen can go anywhere she pleases – and maybe venture beyond the folkish styling that she has displayed until now.\" - \u003cem\u003eLine of Best Fit\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/-PqLcnClY1A\" height=\"314\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219820576925,"sku":"602527949130","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/b125ca1bb8b632b7a8a844c778a52995be86cc4a.jpg?v=1595338004"},{"product_id":"bella475cd","title":"Hannah Cohen - Pleasure Boy CD","description":"\u003cp\u003eBELLA475CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 30 March 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"From the wry title down, Pleasure Boy is an emotional evocation of relationship fallout, a cut that scars through time and self. Sometimes contemplative, sometimes plaintive, the gentle strength of Cohen's soulful vocals is striking; the swell and swoon are soft sirens of heartbreak.\" -\u003cem\u003e Line of Best Fit\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"This is a record just brimming with ideas, ‘Lilacs’ features arpeggiating synths and sparse percussion, and operatic textures, before the piano balladry of ‘Watching You Fall’, which plays on a piano chord progression that nods to Frida Hyvönen, and shows off the range of Cohen’s vocal, a remarkably clear, bright delivery that’s consistently excellent.\" -\u003cem\u003e\u003cspan\u003e DIY Mag\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"Intense, alluring and beautiful chanteuse Hannah Cohen releases her second album, ‘Pleasure Boy’, through Bella Union on 30th March 2015. It is the follow up to her debut, ‘Child Bride’ which was released in April 2012. Cohen was born in San Francisco but is now resident in New York where she has had a dual career as model and singer-songwriter of intensely personal songs – this decade’s Nico if you will.\" - \u003cem\u003e\u003cspan\u003eBack Seat Mafia\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/y2h9d98d1f4\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219829358749,"sku":"5414939918315","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/7919064ecae08b0d85421d73f58afb34e2695c07_2a3fd762-c3a5-4a86-80ec-6296dc004f39.jpg?v=1595338024"},{"product_id":"bellav302","title":"I Break Horses - Winter Beats 12\" LP - Artwork by 23 Envelope's Vaughn Oliver","description":"\u003cp\u003eBELLAV302\u003c\/p\u003e\n\u003cp\u003eRelease Date: 2011\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAs I Break Horses, Sweden's Maria Lindén makes gauzy dream pop infused with warmth. 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Smith's guitar is often recognizable and he provides a variety of delicate effects, from hollowed-out thwacks to what sounds like a glockenspiel made of lasers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe album also makes subtle but widespread use of the kinds of clipped, deformed vocal samples we're used to hearing in electronic music. A length of unintelligible aria twists through \"Springworlds\" like a lost ribbon, and chattering voices are woven deep into the piano-rich fabric of \"Peregrine\". 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There are newer musical accomplishments across its panoply of towering sound, like the title track’s new steely demeanour, while the ominous drama of “Black Blizzard” echoes both John Carpenter and Bernard ‘Black Devil Disco Club’ Fevre’s beautiful and icy synthscapes. The contagious, gleeful “You And Him” marries buzzing rock with a squelchy electronic undertow, while orchestral drama swathes the bad-dreamy “Global Warming” and the album’s gorgeously aching widescreen finale “Geraldine”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/eViyPYJ2okc\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219846332573,"sku":"5414939926723","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/7f2ebdb314611151664912db94e825f94cb33cb8.jpg?v=1595338076"},{"product_id":"bella505cd","title":"John Grant - Grey Tickles, Black Pressure CD","description":"\u003cp\u003eBELLA505CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 2 October 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrey Tickles, Black Pressure\u003c\/em\u003e, recorded in Dallas with producer John Congleton (St Vincent, Franz Ferdinand), refines and entwines the two principal strands of Grant’s musical DNA, namely the sumptuous tempered ballad and the taut, fizzing electronic pop song. There are newer musical accomplishments across its panoply of towering sound, like the title track’s new steely demeanour, while the ominous drama of “Black Blizzard” echoes both John Carpenter and Bernard ‘Black Devil Disco Club’ Fevre’s beautiful and icy synthscapes. The contagious, gleeful “You And Him” marries buzzing rock with a squelchy electronic undertow, while orchestral drama swathes the bad-dreamy “Global Warming” and the album’s gorgeously aching widescreen finale “Geraldine”.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/eViyPYJ2okc\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219850756253,"sku":"5414939926716","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/7f2ebdb314611151664912db94e825f94cb33cb8_730a170b-e39a-409c-be86-43d5f263df26.jpg?v=1595338086"},{"product_id":"bellav377","title":"John Grant - Pale Green Ghosts LP","description":"\u003cp\u003eBELLAV377\u003c\/p\u003e\n\u003cp\u003eRelease Date: 11 March 2013\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The former Czars singer's second solo album sees him mapping exactly where he's at after the fiery dissolution of a relationship with a man who, a mere album ago, was the one. His hatred for his ex, and for himself, is crooned with authority over luscious post-comedown electro.\" - \u003cem\u003ePitchfork\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"In fact, he's inadvertently inspired a genuinely remarkable album: self-obsessed but completely compelling, profoundly discomforting but beautiful, lost in its own fathomless personal misery, but warm, funny and wise. It shouldn't work, but it does.\" - \u003cem\u003eGuardian\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"John Grant's songs can be characterised by extreme restlessness and the state of suffering mental and physical discomfort within one's being. The irony and often confronting honesty he brings to these problems ensure Pale Green Ghosts is extremely engaging and often engrossing. But Queen of Denmark it is not, which will hopefully not put off the Fleet Foxes and Jeff Buckley fans who were so thrilled with that first collection. His second is branching out into the more experimental, atmospheric and even psychedelic – it's a more challenging task but one that perhaps ultimately yields richer rewards.\" - \u003cem\u003eThe Quietus\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/Ux1fglC0aT0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219857146013,"sku":"602537261796","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/0c60a683d4f1bc7266a7f83e93d719091b01a808_ef19ae04-ebcc-4808-8bf2-db20095edaa6.jpg?v=1595338103"},{"product_id":"bellacd423","title":"Jonathan Wilson - Fanfare CD","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003eBELLACD423\u003c\/p\u003e\n\u003cp\u003eRelease Date: 11 October 2013\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Fanfare is something of an epic shrine to softer 70s rock: balanced on a sixpence between Pink Floyd's Dark Side of the Moon, John Lennon's Mind Games and namesake Dennis Wilson's exquisitely weary Pacific Ocean Blue. Any danger of a drift from homage into pastiche is avoided by the audible sincerity of the 38-year-old's visions, and some top-drawer songwriting.\" -\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDave Simpson, The Guardian (2013)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Fanfare’ is a perfect distillation of 1000 influences and steeped in a Laurel Canyon vibe that just screams authenticity as well as innovation. Each of the thirteen tracks highlights excellent songwriting and musicianship from the top draw with a cast of supporting players including the likes of David Crosby, Mike Campbell, Bentmont Tench, Graham Nash and Jackson Browne.\"\u003cem\u003e\u003cspan\u003e - Americana UK\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFanfare\u003c\/em\u003e is an audiophile’s album. Not only is the musicianship exceptional (Wilson plays piano, keyboards, bass, guitar and drums, sometimes assisted by members of his touring band), but everything is cleanly miked up, deliciously recorded, exquisitely mixed. It also addresses some of Gentle Spirit’s drawbacks: Wilson’s whispery voice is clearer and less whiny, the spiritual hokum is played down, while the songs are better structured.\" -\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUNCUT\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/lpal3cY58j8\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219872907421,"sku":"5051083074193","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/88b2ec48d2c2bcd33f33b42f108e4b6b03004afe_66785273-e2fc-4bdd-b2f2-c305964c9de8.jpg?v=1595338138"},{"product_id":"bellacd294","title":"Jonathan Wilson - Gentle Spirit CD","description":"\u003cp\u003eBELLACD294\u003c\/p\u003e\n\u003cp\u003eRelease Date: 8 August 2011\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNorth Carolina-bred producer and session man Jonathan Wilson (Dawes, Will Oldham, Erykah Badu) digs the old shit – like the Mellotron, buttery-toned Hofner bass and '69 Gibson ES 345 electric guitar he uses on this debut. Recorded on analog tape and conceived as a vinyl double LP, Gentle Spirit is a set of gorgeously detailed folk-rock ambles, most over six minutes long. Together they create a seamless mood, the sound of a chill living-room jam session where Wilson, in reality, is often the only player. Classic- rock memes flash like fireflies (see the \"Dark Star\"-meets-Dark Side of the Moon guitars of \"Natural Rhapsody\") but remain just out of reach. It's a vintage sound determined to live in the present.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e- \u003cem\u003eWill Hermes, Roling Stone (2011)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/lNCxDOHwRlY\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219879198877,"sku":"602527756684","price":4.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/4bfd71f5697a3a41d6e712a250653f3bb8d5ab31_428307de-4a9d-4d26-ae88-c6d6594c35bf.jpg?v=1595338157"},{"product_id":"bella534cd","title":"Karl Blau - Introducing... CD","description":"\u003cp\u003eBELLA534CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 13 May 2016\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eIntroducing Karl Blau\u003c\/em\u003e, the enigmatic vocalist charts a new vision of country music. A Northwest indie hero, Blau channels darkness and hope in a cinematic collection of Nashville country hits from the 60’s and 70’s. Produced by Tucker Martine, the record features performances by Jim James (My Morning Jacket), Laura Veirs, Jon Hyde, Eli Moore (Lake), Steve Moore (Earth, SunnO)))), among others. \u003c\/p\u003e\n\u003cp\u003eThe record, all covers, is a crate-digger’s feast of forgotten hits and deeper cuts; most of them from the Nashville country-soul renaissance in the late 1960s and early 70s – Tom T. Hall, Bobby Bond, Allen Reynolds. Other songs are from the Bee Gees (To Love Somebody), Link Wray (Fallin’ Rain), or Townes Van Zandt (If I Needed You). 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Landshapes possess passion in excess, and this is made evident in the unbridled rhythmic ruptures and psychedelic pulses that define the record. “Potential” might seem like a pejorative term, indicative of heights within reach that haven’t been ascended quite yet. In this case, it ought to be a term cautiously applied to Landshapes. If (and when) channeled fully, their vitality will be unmatched.\" - \u003cem\u003eLine of Best Fit\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"After 2013 debut ‘Rambutan’, the band formerly know as Lulu And The Lampshades are back with a second album of shoegaze-y folk. It’s a mixed trip: spiralling, thrashy numbers like ‘Stay’ and ‘Ader’ are weighted against gloomier, sagging jams like the dark, boggy ‘Moongee’ and the Pink Floyd-lite ‘Red Kite’. On the ghostly groove of ‘Lone Wolf’, the quartet veer into Warpaint-like waft. ‘Heyoon’ is better when dapples of texture break through – an electrifying outro on ‘Solipsist’; earthy, bone-rattling bass on ‘Red Electric Love Fern’. But mostly, ‘Landshapes’ sound like a band that might be a better prospect live, where their ever-shifting ideas can fully flourish.\" - \u003cem\u003eNME\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/N2TLVmdXnjQ\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219892142237,"sku":"5414939920608","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/eaa60e9406f99cf272f7ddd59da20c44564ac933.jpg?v=1595338186"},{"product_id":"bella493cd","title":"Lanterns On The Lake - Beings CD","description":"\u003cp\u003eBELLA493CD\u003c\/p\u003e\n\u003cp\u003eRelease Date: 25 November 2015\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"There's something glorious about listening to an album which sounds coherent, cohesive, in which all of the songs make sense individually and within the context of the whole. Sure, there might be standout moments, but the deepest satisfaction is derived from taking in the piece as a whole. Sadly, this is all too rare in my experience, but at least with Beings, the new album from Newcastle sextet Lanterns on the Lake, the latter part of 2015 has been graced with one such artistic statement. If you're on the lookout for songs to consume in a fit of musical gluttony, this album isn't for you. Instead it's a succulent, sumptuous repast to be savoured.\" \u003cem\u003e- Haydon Spenceley, Drowned in Sound (2015)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Even if Lanterns on the Lake hadn’t been making gradually more mature, sophisticated and quietly stirring indie rock records these past few years, the fact that they continue to fly under the radar would be a travesty for more than that. They seem, as a band, to be tapping into the national state of government-fuelled unrest whilst the genre, by and large, remains an inexplicably serene parallel universe. 2013’s ‘Until the Colours Run’ was a stormy and viscerally disaffected affair, matching the sweeping grandiosity of its soundscapes with incisive, passionate lyricism.\" \u003cem\u003e\u003cspan\u003e- DIY\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/mHyjnU_d4QU\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219900039325,"sku":"5414939923319","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/b91d181e2c4861175b8e6170d741f57eb4d6d284_974d7628-2401-4a74-9473-a69fb1c3d399.jpg?v=1595338210"},{"product_id":"bellacd220","title":"Laura Veirs - July Flame CD","description":"\u003cp\u003eBELLACD220\u003c\/p\u003e\n\u003cp\u003eRelease Date: 12 January 2010\u003c\/p\u003e\n\u003cp\u003e\"Her voice is so suited to the neo-folk path she's chosen to follow in her subsequent career that it's sort of tough to conjure an angry yelp from her. Not that she's all sweetness and light-- her albums have always housed their fair share of darkness and turmoil. They've just favored subtle ways to present those things.\" \u003cem\u003e- Joe Tangari, Pitchfork (2010)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"July Flame is her seventh, and parts of it are so extravagantly beautiful that it will send you scurrying back to its predecessors, particularly 2004's Carbon Glacier. Recorded at home with new partner and long-time producer Tucker Martine, it has such an unassuming, homespun quality that you're constantly surprised by how expansive and richly textured its songs are.\"\u003cem\u003e\u003cspan\u003e - The Guardian\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\"July Flame by Portland based Laura Veirs could perhaps be one of the best records of January and is certainly the best album this reviewer has heard so far this year... 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With his new album More Rain, Ward has made a true gotta-stay-indoors, rainy-season record that looks upwards through the weather while reflecting on his past.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e“I think one of the biggest mysteries of America right now is this: How are we able to process unending bad news on Page One and then go about our lives the way the Style section portrays us?” says Ward. “There must be a place in our brains that allows us to take a bird’s-eye view of humanity, and I think music is good at helping people—myself included—go to that place.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThis album finds Ward picking up the tempo and volume a bit from his previous release, 2012’s A Wasteland Companion. Where that record introspectively looked in from the outside, More Rain finds Ward on the inside, gazing out. Begun four years ago and imagined initially as a DIY doo-wop album that would feature Ward experimenting with layering his own voice, it soon branched out in different directions, a move that he credits largely to his collaborators here who include R.E.M.’s Peter Buck, Neko Case, K.D. Lang, The Secret Sisters, and Joey Spampinato of NRBQ. The result is a collection of upbeat, sonically ambitious yet canonically familiar songs that both propel Ward’s reach and satisfy longtime fans.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWard has released a string of acclaimed solo albums over the past several years, along with five LPs with Zooey Deschanel as She \u0026amp; Him and a 2009 collaborative album with My Morning Jacket’s Jim James and Bright Eyes’ Conor Oberst and Mike Mogis under the moniker Monsters of Folk. 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Set for release on February 10th, it floats freely in the pop cosmos somewhere between gauzy shoegaze, unvarnished folk, and perhaps even a hint of metal’s doom-and-gloom spirit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRecorded at Seattle’s Avast Studio, the album pairs Nadler for the first time with producer Randall Dunn (Earth, Sunn O))), Wolves in the Throne Room). Dunn matches Nadler’s darkness by creating a multi-coloured sonic palette that infuses new dimensions into her songs. Eyvand Kang’s strings, Steve Moore’s synths and Phil Wandscher’s guitar lines escalate the whole affair to a panoramic level of beautiful, eerie wonder. The results are astonishing and occasionally reminiscent of David Lynch (who is, appropriately enough, among her label mates on Sacred Bones). 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She is a cosmic force on “July,” shooting these songs to euphoric highs and heartbreaking lows.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"314\" src=\"https:\/\/www.youtube.com\/embed\/H3uH8ipVEmA\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"Default Title","offer_id":35219934806173,"sku":"5414939615313","price":16.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0439\/9379\/2669\/products\/3b8d4753fb55234053233f4e27e16a938036ca5c.jpg?v=1595338279"},{"product_id":"bellacd432","title":"Marissa Nadler - July CD","description":"\u003cp\u003eBELLACD432\u003c\/p\u003e\n\u003cp\u003eRelease Date: 10 February 2014\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eNadler lays the listener – and herself – on the line with ‘July’, her sixth full-length album in nearly a decade. 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Turning her writing to more universal themes, Nadler dives deep into a surreal, apocalyptic dreamscape. Her lyrics touch upon the loneliness and despair of the characters that inhabit them. These muses are primal, fractured, disillusioned, delicate, and alone. They are the unified voice of this record, the titular “strangers.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOnce again partnered with July producer Randall Dunn (Sunn O))), Earth, Black Mountain) Nadler has created an album equal in sonic quality to the apocalyptic lyrical tone that covers its 44 minutes. 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He busked, awed TV on the Radio's Kyp Malone, and subsequently entered the prominent local music scene. After he recorded strings for Grizzly Bear's Veckatimest, he moved to London, was hailed by Adele, and appeared on Later…with Jools Holland, where he performed the emotionally cutting \"White Sails\" by himself. A major label wouldn't know how to handle him. It's unimaginable that executives have pined for artists who cite Mahler and Mtume, and can sing and play violin as the wildly dissimilar and noncommercial Noel Pointer and Long Fin Killie's Luke Sutherland have done in the past. So it's likely for the better that Toliver signed with the artist-driven independent Bella Union. The artist says that this, the follow-up to a four-track 2011 EP, was inspired by the autobiography of Frederick Douglass, Noah's curse of Ham, and contemporary music. The first two references enhance Toliver's narrative, but the third one is most significant. 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It feels more advanced and yet simpler, more perfected and yet more open. It is, by turns, a tender, barren, cavernous, smouldering, despairing and inspirational piece of work. It’s a long day’s journey into night, but it pays huge dividends when you arrive, drawing you in and casting a spell that won’t let go.\u003c\/p\u003e\n\u003cp\u003eThe album finds the band gelling as never before, framing Jamie’s poetic vision with an intuitive grasp of the album’s dignified and despairing themes. There are strings and brass, gospel-style backing vocals, and the (Indian stringed) dilruba on the opening ‘I Am The Lord’. This collectively adds more divine dimensions to the band’s sound, embellishments that MONEY didn’t have the confidence to try out on their debut.\u003c\/p\u003e\n\u003cp\u003eThere is a fine line between hopelessness and positivity on this record. 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