22nd July 2022
In late 1968 or early 1969, a six-piece group walked into a Chicago recording studio to record an album. As they weren’t signed to a label, they had made the booking themselves. The group featured three singers, all female. One of whom also played acoustic guitar. There was also double-bass player and a drummer, both male. A female guitarist filled out the band. After the tapes had finished rolling, what was recorded was quickly pressed onto an album: a private pressing, organised and paid for by the band. Not many copies were made, perhaps 100, maybe 500. The albums were sold at live shows or given to friends and relatives. And that was it.
The band was called All In One, and the outline of their story is similar to many do-it-yourself musicians from the Sixties and later who wanted to document their existence, what they sounded like. It’s good to have a physical object saying “here we are, this is what we do.” During the Seventies punk era, it’s what Buzzcocks did with their Spiral Scratch EP. Taking the DIY path had precedents.